Selena Cotte

 

Confrontation with the simulation

 

Perhaps a quite pervasive trauma is of the child denied anything real.

Perhaps it’s because my first snow was made of bubbles.

 

My mom’s work name was Esmerelda,

she sold magical vacations

 

took me to meet the Grinch for Christmas

& implanted memories of plastic oranges and studio sets

 

that I envision when I go as far back as my eyes

will let me. I’m talking years of Mickey Mouse

 

and Shamu and foam playgrounds and buildings

built to look like other buildings (that were already

 

inspired!) wanting to see so much, allowed a

representation instead. Maybe I got sucked into

 

Spaceship Earth, half-formed, Walt unable to let

me crawl away. I convinced myself at age 11 that I

 

developed teleportation powers, like I really believed

it for a day. I had an aunt who gave me $20 on my

 

cousin’s birthday to keep from saying I was sick.

I brought magnets to middle school to attract the

 

Taurus boy who showed me, on Gaia Online, the

Bowling for Soup song “High School Never Ends,”

 

of which he wrote: Too true, man. Why did they ask

me to avert my eyes? And what is a poem if not the

 

truth, at last? Maybe nothing still, but relief.


***** 

Frac/ture

 

The spring I broke my wrist

riding a pink Barbie scooter in

full view of my mother

 

I got a lime green cast for Maddie Patinkin

who introduced me to viral videos,

Victoria’s Secret lip gloss

& MySpace-friending men

pretending to be Daniel Radcliffe

 

my handwriting so atrocious—

Mr. Joyner (similar origins,

confessed adulterer,

taught me 2 dollar swear words,

 

all bark and a motorcycle)

foresaw the danger of a young woman

with no way to ease her shaky hand

on a good day

 

lest we acknowledge

the ugly, green cast

around my right arm

 

called in for reinforcement

a woman I’d never met

filled in my FCAT answers

in a room with no time limit.

 

I imagine I pouted

assured of my prodigy, I read Harry Potter

at recess, announced I was Harvard-bound

destined to teach a fifth grade class,

so sure I could make my world my own

 

I spent Saturdays at my father’s apartment

typing the first chapter to a memoir

mostly because he lacked cable

and internet

 

I also played solitaire & dreamed

of making a connection

sleeping in the hot Orlando sun

hoping he might knock,

 

tell the truth for once

or at least a more exciting lie.

 

My radial bone, encouraged by youth

mended quickly, stronger

than before—my words more steady on the page

just in time for sixth grade

or as I knew it: reality

 

finding new,

more threatening ways

to fall off a scooter

on a driveway with no obvious risk.


 *****

Cocoa Beach

 

I was in my yellow bikini

the one that you loved

on our puppy-first-date

 

and you told me

your grandmother drank too much

and I think I tried to understand

 

because I loved the way the shells

scraped my skin too hard, left marks

& how you loved my yellow bikini.

 

You said you didn’t like the way

the water made you feel

about geography

 

that I could point

and that’d be Australia

that you were always here

 

and my head was always there.

But at the beach we loved each other

if only because of my yellow bikini

 

and that I loved to be loved.

Bio

Selena Cotte is a poet & shapeshifter born in Orlando and raised online. Her work can be found in journals such as Hobart, Juked, and Group Chat Review.

 

Social Media

selena cotte (@selenacotte) / Twitter

Selena Cotte (@selenacotte)